The horror romance "Twilight", Summit Entertainment’s block-buster feature is noted for its spectacular visual effects, thanks to CIS Hollywood's Richard Kidd and CIS Vancouver's Geoffrey Hancock.
"I started working on"Twilight" last November when the director, Catherine Hardwicke, approached CIS Vancouver and me about the film," said Kidd.
"By December we were location scouting in Portland, where the film was eventually shot. Catherine likes to shoot in a documentary style so we discussed that much of the work could be handled 'in camera.' However, the amount of visual effects work grew organically throughout the shoot."
Kidd also worked with the second unit which shot many of the stunts and used high-speed photography to capture the fast running of the vampires. These stunts required wire work, as well as innovative rigs devised to pull the actors on long sheets of plexiglass which added additional speed to their own running speeds."Although the original goal had been to get the vampire running shots 'in camera,’" said Hancock, "the complexity of shooting the these scenes, meant that many shots had to be recreated or enhanced in post. In some cases we sped up actors, in other cases we slowed them to a super slow motion while adding exaggerated motion blur. Additionally, wires and rigs assisting the actors were removed.”
“Another challenging sequence was the climactic fight scene that takes place in the ballet studio - a room with multiple walls and columns covered by mirrors. Light was pouring into the set from outside lights which reflected off the mirrors. It required detailed rig and wire removals within the atmospheric lighting and the recreation of a ceiling structure, while maintaining the desired light beams. In some cases we had to digitally remove multiple reflections of the crew and wires used to choreograph the fight because of the parallel mirrors within the set."Early in the story there is the 'tree-top' sequence where the vampire shows off his super human abilities to his human girlfriend that required complex wire removal as they moved within the multiplaning trees and shadows. Throughout the scene in which the vampires play the fast paced game of baseball, CIS Vancouver replaced and enhanced the overcast Portland skies with dramatic thunder clouds and lightning as dusk approaches, as well as adding CG baseballs.
In addition to 145 shots completed by CIS Vancouver, additional visual effects work was handled by Industrial Light & Magic, Catalyst Media, Rez-Illusion and PIC Agency.
Current and recently completed CIS Vancouver work includes "Angels and Demons", "Nutcracker: The Untold Story", "The Uninvited", "They Came from Upstairs", "Changeling", "Tropic Thunder", "Space Buddies" and "Case 39".
CIS Hollywood's recent project list includes the upcoming "Watchmen" and "G.I. Joe".
CIS Visual Effects Group is noted as an award winning international visual effects entity with facilities in Hollywood and Vancouver.
The company services high-end feature film, television, commercial and gaming clients in the global marketplace.
CIS Hollywood, founded in 1984, is one of the industry's most respected visual effects facilities. In early 2008, the company expanded by acquiring Rainmaker Visual Effects, rebranding it CIS Vancouver.
With its boutique accessibility, the company has the capacity to service its clientele wherever production is situated. CIS Visual Effects Group is a division of Deluxe Entertainment Services Group Inc., a wholly-owned subsidiary of MacAndrews & Forbes Holdings Inc....
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